For the last year I've been searching for a <24mm prime. I did have some requirements for this new lens;
- It should be flare resistant.
I hate flares on my wide-angle lenses (my Nikon 17-55mm, and Sigma 10-20mm)
- It should be small (as small as possible).
Not a 'look-at-my-camera-with-this-huge-lens' lens.
After much deliberation I bought the Voigtlander Color Skopar 20mm f/3.5 SL II @ Robert White (direct link) in the UK.
The general consensus on flashing is that you should take the flash of the camera (take the flash off the damn camera). It just results in better (more flattering) photos In some cases this is impossible. Especially when the flash is integrated. But there's hope. There are several point & shoot camera's (P&S) that feature a hot-shoe. The Panasonic Lumix LX3 [1] is one of those camera's.
RRS D300 L-PlateAfter getting the Arca-Swiss Monoball Z1, the next logical step was getting an L-plate for my camera. An L-plate is a camera plate that allows you to position the camera in landscape- AND portrait-mode on the ballhead. Normally you would use the drop-notch on the ballhead to position the camera in portrait mode. This drop-notch is available on most ballheads, but seriously limits the movement of the ballhead, and it puts the camera in a lower (and on most times in an awkward) position.
Have you ever wondered which lens you used the most? Or what focal length is your favorite? The results of these queries can be used to decide what new lens to get; a (ultra)wide-angle, normal, or telephoto lens.
Well, there is an answer for both questions. The first (which lens) is relatively easy when you're using Adobe Photoshop Lightroom. Just select the metadata filter in the library view and examine the results.
Nikon 24mm f/1.4G EDNikon is catching up with Canon in regards to the (really) fast prime lenses. They announced a new 24mm f/1.4G ED (link to the techpart)wide-angle lens today. This new lens makes it possible to do low-light photography with a maximum aperture of 1.4. Especially when you're shooting with a low-light monster like the Nikon D700 or D3(x/s).
The lens should also give you a nice depth of field (DoF) when shooting wide open, and being relatively close to your subject. We all know that wide-angle lenses tend to have a large DoF due to wide-angle optic characteristics (et voila).
Arca-SwissLast year I bought a Gitzo GH2780QR [1] ballhead with an additional (medium) lens plate for my 70-200mm f/2.8 lens. The concept of this ballhead was/is ingenious. By using the big knob/dial you could change the friction on the ball. This enables you to pan/rotate the camera and lens very fluently, and when you applied enough friction, you could let go of your camera, and it would not move or fall down, and you'd still be able to pan/rotate the camera. All in all very safe and handy.
But there were some things that annoyed me;
James Hetfield of Metallica by Guillaume Raisonnable, on FlickrMy photo of James Hetfield (lead singer of Metallica) won this years photo contest at the local cameraclub (out of 51 other photos).
The photo was taken this year at their concert in Ahoy, Rotterdam [1, 2], and this image felt right from the beginning.
Photoshop CS5 HDR interfaceInitial experiences are not really positive, but that can be related to my experiences with Photomatix. A quick glance at the controls available, it should be able to produce similar results. 
;)